A boxed book with “facsimiles of rare material” and a good guide to why Nirvana became so successful. I like their music, but it wasn’t enough on its own to take them right to the top. Successful bands have to appeal to the eye as well as the ear.* Mudhoney and the Melvins appeal to the latter, but not the former. Nirvana appealed to both. Like Jim Morrison before him, Kurt Cobain looked very good on camera. Even his flying hair did. He’s an eye-magnet in almost every photo here and would be even if you didn’t know who he was. But very few people will look at this book without knowing who he was and what happened to him, so his magnetism merely increases. Krist Noveselic and Dave Grohl look ordinary: Kurt looks special. And he’s sealed special for ever, because he died before he got old, just like Jim Morrison.
There’s a glamour to going before your time and Kurt went well before his. Seventy or eighty years too soon, or maybe much longer. Unless something big gets in the way, science and technology will extend the human life-span indefinitely for people who were, like him, born in and after the 1960s. But humans will stop being human in the process: man, as Nietzsche pointed out long ago, is something to be surpassed. The Deus Ex Machina is on his way: the electronically enhanced super-human who will have vastly increased powers of mind, memory and body. I don’t think Nirvana’s music will interest the D.E.M. much, but that’s one of the things that are still interesting about Nirvana. They’re the last of the real rockers. They grew up without the internet and came to fame while it didn’t matter much. That was part of their appeal: Washington State and Seattle were isolated places, lost in obscurity, far from the spotlights focussed on New York and Los Angeles. It wasn’t easy to learn about them. And there was more. Kurt and Krist came from an isolated part of Washington: Aberdeen, on the muddy banks of the Wishkah.
The grungy design of this book tries to capture that distance and difficulty, using a lot of blur, smear and shadow. Kurt stayed in the shadow and stayed in Nirvana, young for ever. Krist and Dave have an afterlife and the book follows them there: Krist gets bald and Dave loses the scared-kid look he had in Nirvana and becomes the confident leader of Foo Fighters. The other big figure in the Nirvana story, Courtney Love, doesn’t develop at all here, because she gets only one photo, grinning a sharkish grin at the MTV Awards. That was enough for me, just as I assume it was for Gillian Gaar: marrying Courtney was one of the two big mistakes Kurt made in life. The other was becoming a heroin addict. But if his stomach problems were as bad as he said they were, maybe heroin extended his life rather than shortening it. His stomach problems are something else that seals him into the old days. I don’t think they were psychosomatic and even if they were, they were a sign of something badly wrong with his body. The brain is part of the body, after all. Kurt, like most people then and now, didn’t have much control over his brain. Drugs like lithium are a crude way of adjusting the way brains work.
Much stronger methods of adjustment and improvement are on their way. When they arrive, the human race will follow Kurt into history. Nirvana’s music used technology to sing about human flesh and its woes. When flesh combines with technology, Nirvana’s music probably won’t matter any more: the clamour-glamour of rock will be gone. I don’t think Kurt would mind. After all, he ended his life playing unplugged and looking back to the Middle Ages, not forward to the Deus Ex Machina. But there was also something medieval about the importance of paper in Nirvana’s story. Fans got real letters from bands and record companies in Nirvana’s day, not emails or tweets. The facsimiles here try to capture the way physical things mattered more back then: tickets, posters, flyers. So this book is about two vanishing things: flesh and paper. It’s not long and detailed like some Nirvana/Cobain biographies, but it’s worth a look while Nirvana and Kurt Cobain are still glamorous.
*Yes, apart from Brian Jones, the Rolling Stones looked odd or ugly, but that still appealed to their fans, because of its contrast with the Beatles.
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