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Archive for the ‘Television’ Category

’Vile Vibes

In Plain Sight The Life and Lies of Jimmy Savile by Dan DaviesIn Plain Sight: The Life and Lies of Jimmy Savile, Dan Davies (Quercus 2014)

’Seventies nostalgia ain’t what it used to be. Britain has reeled again and again at revelations about the sex-crimes committed by famous entertainers from that ever-more discredited decade. Gary Glitter, Jonathan King and Stuart Hall have all gone to jail. Rolf Harris will probably die there. But the biggest nonce of the lot got clean away:

Sir James Wilson Vincent Savile, OBE; Knight of Malta, Knight of the Vatican, ‘Special’ Friend of Israel; Honorary Royal Marines Green Beret, Honorary Doctor of Law and Honorary Assistant Entertainment Officer at Broadmoor maximum security psychiatric hospital; miner, scrap metal merchant, inventor of the disco; racing cyclist, wrestler and marathon runner; pop Svengali, radio DJ and Top of the Pops presenter; charity fund-raiser, highly paid business consultant, hospital administrator; confidant of prime ministers and princes. (ch. 2, “Frisk Him”, pp. 18-9)

Savile got a lot done in his eighty-four years, but the public didn’t know the half of it. He was born poor and sickly in Leeds in 1926 and died in the same city in 2011, rich, famous and laden with honours. I didn’t live in the UK at the height of his fame, but I saw some episodes of his famous children’s programme Jim’ll Fix It, on which he made dreams come true for a lucky few of the many thousands of children who wrote to him every week: some “got to fly with the Red Arrows, blow up water towers or sing with The Osmonds” (ch. 2, pg. 13). I didn’t like Savile or his programme, but I always reasoned that he couldn’t be a paedo because he looked and acted so much like one.

That was Savile’s bluff: as Davies puts it, he was hiding in plain sight. After his death it gradually emerged that he had committed sex-attacks on children for decades, relying on his fame, cunning and peripatetic life to keep himself out of jail. He had narrow escapes and was even interviewed by the police, but he got to the end of his life unscathed. That’s why his highly expensive grave in Scarborough bore the jeering epitaph: “It Was Good While It Lasted”. Not that the jeer was immediately apparent: Savile was buried with honour and acclaim. But Davies opens this biography by describing what happened to the grave when the toxic truth got out:

The three 18-inch thick slabs of dark granite it had taken eight months to craft and to polish and to inscribe had been taken to a yard in Leeds where the fourteen hundred letters were ground down and the black granite smashed into tiny pieces for landfill. Nothing was to be left of the headstone and nothing was to be left to mark the spot where the coffin was buried beneath the earth. It was good while it lasted. (ch. 1, “Apocalypse Now Then”, pg. 8)

The title of that first chapter, “Apocalypse Now Then”, is a good example of what you’ll find in the rest of the book: black humour and bathos. There’s also a series of impossible-to-answer questions. What made Savile tick? How did he fool so many people for so long? You could ask the same questions about Tony Blair, a criminal on a much bigger scale, but there are two big differences between Savile and Blair. Unlike Blair, Savile was highly intelligent and a self-made man. Blair got to the top by serving powerful interests; Savile got to the top under his own steam. I’d also say that while Blair is a narcissist, Savile was an exhibitionist.

Long before Savile’s death, Davies saw through the exhibitionism and glimpsed the depravity beneath. At the age of nine, he attended the recording of an episode of Jim’ll Fix It “at a television studio in Shepherd’s Bush, west London” (ch. 2, pg 13). After watching Savile’s performance as a zany, dream-fulfilling jester, he came away with an uncomfortable feeling that “there was something remote and cold and untouchable beyond the façade”. Later, he read Savile’s autobiography, As It Happens (1974), and was disturbed again:

As a child of the Seventies and Eighties, I had heard all the playground rumours about Britain’s favourite uncle; we all had. Jimmy Savile was a weirdo and possibly worse; a poofter, a necrophiliac or a child molester. [When I was an adult] Friends thought I was joking when I spoke of my ‘Jimmy Savile’ dossier and how I was going to use it to bring him down one day. (ch. 2, pg. 15)

The rumours may have been completely true. Savile was a Charlie Chester who preferred girls but also molested boys. And he spent a lot of time with corpses during his unpaid stints as a “celebrity porter” in various hospitals. Davies didn’t get to bring him down, but his uneasy fascination with Savile never went away. After he grew up and became a journalist, he conducted some lengthy interviews with his “bogeyman” for a magazine called Jack (ch. 2, pg. 17). He never got to the truth: Savile was too clever for that. But his uneasiness grew and the interviews are the basis of this book. Savile speaks at length, relishing the battle of wits with Davies and revelling, no doubt, in the thought that his words would acquire their full feral-and-fetid meaning only after his death.

I was struck by the strangeness of his language. This is how he described a narrow escape from death in a plane:

“It was all a bit of fun. You’re gonna die, you didn’t die, very good. I had plenty of time to think about it because I was up in the air when we ran out of fuel. It didn’t bother me because I’m a bit odd. One minute you’re here, the next minute you’re not.” (ch. 15, “Didn’t Die, Very Good”, pg. 117)

That’s English, but it’s “a bit odd”. If you know Savile’s voice, you can hear him speaking as you read. There’s something unsettling about the words and syntax he uses, not just the tone and manner that must have gone with them. I can’t point to exactly what it is, but I wonder if his language was influenced by brain damage or some other neurological abnormality. There was certainly something very odd about Savile’s brain, whether he was born that way or suffered a brain injury later, perhaps when he was hit by a collapsing roof during his time as a coal-miner (ch. 8, “The Power of Oddness”, pp. 65-6).

He claimed that he was “concussed”, but Davies couldn’t verify any details of the accident, not even the year it happened or whether it happened at all. Savile lied and distorted constantly, so nothing is certain about long stretches of his life. But something that suggests to me that he was brain-damaged later in life is the early photo of him that opens the book. He’s standing with his family as a boy, smiling happily and candidly at the camera. He’s the least odd-looking person in the photo. In fact he doesn’t look odd at all: just an ordinary, cheerful kid, albeit a clever-looking one.

In his photos as an adult, he definitely looks odd. The photo that opens Part Four is chilling: he’s sitting alone in a camper-van, dressed in dungarees and peering out of the window at a busy street with a blank, calculating expression on his face. You can’t put your finger on exactly why the photo is chilling, but it is. It screams “Nonce!” And many people besides Dan Davies were suspicious of Savile during his decades of fame. Margaret Thatcher wasn’t one of them, but it took her a long time to give him a knighthood, because her civil servants kept saying no: “Under the headings Benefactions, we have again considered the name of Mr Jimmy Savile, whom you have of course considered on previous occasions. We have concluded that he should not be recommended.” (ch. 53, “I am the boss – it’s as simple as that”, pg. 404)

The civil servants were right, Thatcher was wrong. But she had more excuse than the police and the BBC, who both come out of this book very badly. They missed numerous opportunities to stop Savile’s crimes and the BBC tried to maintain a cover-up as long as it could. Nevertheless, Savile was indeed a master manipulator, committing sex-crimes for decades against both sexes and all ages in TV studios, schools and hospitals up and down the country. He secured powerful friends and even managed to get an important position and unsupervised access at Broadmoor, the country’s most notorious psychiatric hospital. It was through Savile that Princess Diana seems to have got access to Broadmoor too. Diana was another fascinating fake who combined ostentatious charity-work with ghoulish interests, but she wasn’t a sex-criminal or a self-made woman and she didn’t achieve a fraction of what Savile did.

So how did he get away with it and fool so many for so long? His high intelligence was undoubtedly part of it, but so was his extraordinary energy: he lived like a blue-arsed fly, never staying long in any town or city, making and raising millions of pounds for himself and for charity while recording TV and radio shows, courting or fending off the media, and running dozens of marathons. Like Thatcher, he doesn’t seem to have needed much sleep or time for recuperation.

And like Thatcher, he is very interesting from the point of view of HBD, or human bio-diversity. What were the physiological and genetic bases of his intelligence, energy, will-power and dominance? What was his precise ancestry? We should be able to answer those questions one day. Other questions about Savile may never be answered, but Dan Davies does an excellent job of capturing the black comedy, bathos and chutzpah of his strange, sordid and sinister life. If you want to be right repulsively entertained, In Plain Sight will fix it for you.

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Front cover of The Simpsons and Their Mathematical Secrets by Simon SinghThe Simpsons and Their Mathematical Secrets, Simon Singh (Bloomsbury 2013)

I don’t like The Simpsons and I don’t think Simon Singh is a very good writer. But there is some interesting maths in this book. As the Emperor Vespasian said when criticized for taxing urinals in Rome: Pecunia non olet – “money doesn’t smell”. And simple sources can yield riches in other ways. There’s a good example of that in chapter 9 of this book, “To Infinity and Beyond”, where Singh looks at the mathematics of pancake-sorting. It was first discussed in 1975 by the geometer Jacob E. Goodman of the City College of New York. Suppose there’s a pile of pancakes of different sizes. You can insert a spatula at any point in the pile and flip the block of pancakes above it. Goodman posed this question about sorting the pancakes into order of size:

If there are n pancakes, what is the maximum number of flips (as a function of n) that I will ever have to use to rearrange them? (ch. 9, pg. 110)

It sounds simple, but isn’t. As the pile gets higher, the problem gets harder. The answer is 20 flips for 18 pancakes and 22 flips for 19. And 20 pancakes? Surprisingly, mathematicians don’t know: “nobody has been able to sidestep the brute computational approach by finding a clever equation that predicts pancake numbers”. The best mathematicians can do is find the upper limit: pancake(n) < (5n + 5)/3 flips.

This limit was proved in a paper “co-authored by William H. Gates and Christos H. Papadimitriou” in 1979 (pg. 112). The first co-author is better known now as Bill Gates of Microsoft. The Simpsons enter the story because David S. Cohen, a writer for the series, extended the problem in a mathematical paper published in 1995: the pancakes don’t just come in different sizes, they’re burnt on one side and have to be flipped both in order of size and with the burnt side down. Now the number of flips is “between 3n/2 and 2n – 2” (pg. 113). The source of the problem may seem trivial, but the maths of the solution isn’t. Pancake-flipping has important parallels with “rearranging data” in computer science.

Cohen has degrees in both computer science and physics, but his expertise isn’t unique: “the writing team of The Simpsons have equally remarkable backgrounds in mathematical subjects” (ch. 0 (sic), “The Truth about the Simpsons”, pg. 3). They have degrees and doctorates in tough subjects from colleges like Harvard, Berkeley and Princeton. And they’ve been engaged, according to Cohen, in a “decades-long conspiracy to secretly educate cartoon viewers” (back cover). They haven’t had much success with that, but they’ve succeeded in other ways: TV is no good at education, but very good at propaganda and manipulation. That’s one reason I dislike The Simpsons, which is obviously inspired by cultural Marxism, despite its occasional un-PC jokes. Another reason is that I think the characters and colours are ugly and dispiriting. Or is that cultural Marxism again? But I have to admit that the series is cleverly done. To appeal to so many people for so long takes skill, but explicit maths has been low in the mix.

It had to be, because The Simpsons wouldn’t have been successful otherwise. It has a lot of stupid fans and stupid people aren’t interested in Fermat’s Last Theorem, strategies for rock-scissors-paper or equations for pancake-numbers. That’s why you need to freeze the frame to find a lot of the explicit maths in The Simpsons. Or you did before Singh wrote this book and froze the frames for you. The implicit maths in The Simpsons is everywhere, but that’s because maths is everything, including an ugly cartoon and its science-fiction offshot. Singh discusses Futurama too and the “taxi-cab numbers” inspired by the Indian mathematician Srinivasa Ramanujan (1887-1920). I’ve never seen Futurama and I wish I could say the same of The Simpsons. I certainly hope I never see it again. But it’s an important programme and this is an interesting book.

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