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Sub-Machine Gun by Maxim Popenker and Anthony G. WilliamsSub-Machine Gun: The development of sub-machine guns and their ammunition from World War I to the present day, Maxim Popenker and Anthony G. Williams, (Crowood Press 2011)

There’s a special fascination to beautiful things that inflict pain, suffering and death. Like military aircraft, guns can be very beautiful. There’s an additional power in their ingenuity. For many decades, very intelligent gun-designers have racked their brains for better ways to wreck brains, bones and bodies:

Wounding effectiveness is generally measured by the size of the wound channels created in ballistic gel, which is designed to replicate the characteristics of flesh. This can, of course, only give an indication of the real results, since bodies are not composed of homogeneous material but contain organs of varying toughness, voids and bones; nevertheless the gel does allow comparative testing under controlled conditions. Two different channels are created when a bullet passes through the gel: the most important is the permanent channel, which is what the name implies – the track of destroyed material. Other things being equal, this determines the rate of blood loss, which is the main incapacitating mechanism. The other is the temporary channel, which is the much wider volume disturbed by the shockwave from the bullet’s passage. This is less serious, although it can still have some effect. (“Ammunition Design”, pg. 53)

As you’ll see here, bullets can be beautiful too. This book is about a weapon designed to combine maximum firepower with maximum portability: the sub-machine gun (SMG), which is a “fully automatic shoulder gun firing pistol ammunition” (Introduction, pg. 8). An SMG is a way for one man to massacre many men at high speed. That’s what makes the SMG frightening and fascinating. But the one man has to have an advanced industrial civilization behind him. This book is explicitly about SMGs, but implicitly about HBD, or human bio-diversity. Or rather: the lack of it. The nations listed in part 2, which describes sub-machine guns manufactured everywhere from Argentina to Vietnam, are all populated by highly intelligent light-skinned races.

But there’s diversity among the light-skinned: the huge nation of China gets seven pages, the tiny nation of Switzerland gets eleven. Europeans are innovators, Asians are adopters and adapters. But the United Kingdom does poorly by comparison with Switzerland too. Snobbery and stupidity help explain that: “Until the start of World War II the British military had practically ignored SMGs, referring to such weapons as ‘gangster guns’” (pg. 260). Once the war started, the military tried to repair its error, first with the Lanchester, “a very close copy of the German Schmeisser MP.28”, then with the Sten, “one of the crudest and most cheaply made, but the simplest and most effective guns of World War II” (ibid.).

The next nation in the list is the origin of “gangster guns”: the USA, the biggest and most important arms-manufacturer of them all. From the elegant Tommy-gun, made world-famous by Hollywood, to the stubby Kriss Super V, American sub-machine guns have been giving the world a lot of bang for not-so-much buck since the First World War, when the “noted ordnance expert” John T. Thompson “set up the Auto-Ordnance Corporation … in order to fund the development of automatic guns” (pg. 272). The “Annihilator” was released in 1919, but the Tommy-gun became famous under more sardonic names like the “Chicago typewriter” and “Chicago piano”. That’s what the British army didn’t like. The war changed their minds and by 1940 Britain couldn’t get enough of the Tommy-gun, in part because “many of them were lost en route, due to German submarine attacks” (ibid.).

Submarines are another fascinating weapon, but they’re a team effort from start to finish. SMGs involve teams of designers and manufacturers, but the collective effort is focused through an individual, the man who carries the SMG and fires it. He can be a soldier or a bodyguard, a gangster or a policeman, an assassin or a gun-enthusiast. The portability and power of the SMG are attractive in all those roles. This book would appeal to everyone who plays one of them. It discusses all aspects of the annihilator, from armour-piercing ammunition and the cost of manufacture to silencers and stocks.

It illustrates everything too. Some of the early SMGs are like works of art, some of the modern ones are like alien artifacts, so you can see evolution and innovation over nearly a full century, as manufacturers around the world compete to sell slaughter. The manufacturers range from the infamous to the obscure: even I had heard of Kalashnikov, Heckler & Koch and Uzi, but what about STAR, Cugir and Husqvarna? Unfortunately, not all of the photographs and weapon-summaries are dated, but that’s the only flaw I could see. Sub-Machine Gun is a book by experts aimed at enthusiasts. And what explains the appeal of the SMG? It’s summed up in the section devoted to “Czechoslovakia/Czech Republic”, another small region of Europe that’s big in armaments. In the 1960s, it produced the Scorpion SMG. Sub-machine guns are small, but they have a deadly sting.

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World Wide WingsThe Big Book of Flight, Rowland White (Bantam Press 2013)

Kite WriteThe Kite-Making Handbook, compiled by Rossella Guerra and Giuseppe Ferlenga (David & Charles 2004)

Gun GuideSmall Arms: 1914-45, Michael E. Haskew (Amber Books 2012)

The Basis of the BeastKillers: The Origins of Iron Maiden, 1975-1983, Neil Daniels (Soundcheck Books 2014)


Or Read a Review at Random: RaRaR

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Small Arms 1914-45 by Michael E. HaskewSmall Arms: 1914-45, Michael E. Haskew (Amber Books 2012)

Aircraft can be beautiful without being deadly. Guns are sometimes beautiful, always deadly. This is a book about death-machines designed to be used by a single individual: pistols, rifles, machine-guns, flame-throwers, rocket-launchers. It’s part of series called the Essential Weapons Identification Guides and covers every major army, conflict and theatre between the beginning of the First World War and the end of the Second. And some minor ones too. There are photographs and drawings of the weapons, technical specifications, occasional cut-away guides and scenes of the weapons in use, like “a rare photograph showing Axis troops manning a Maschinengewehr Solothurn 1930 (MG 30) somewhere on the Eastern Front” (pg. 135).

I found the contrast between the totalitarian and democratic armies interesting. German soldiers during the Second World War look disciplined and highly competent; American soldiers look sloppy and insubordinate. It’s natural soldiers versus decadent conscripts: the German military were out-gunned and out-numbered, never out-classed. The stern, purposeful faces of the “Soviet partisans” on page 135, who are armed with the “super-reliable 71-round-drum-magazine PPSh-41 submachine gun” in Belorussia, 1943, reminded me of this passage from Nineteen Eighty-Four (1949):

At the age of three Comrade Ogilvy had refused all toys except a drum, a sub-machine gun, and a model helicopter. At six – a year early, by a special relaxation of the rules – he had joined the Spies, at nine he had been a troop leader. At eleven he had denounced his uncle to the Thought Police after overhearing a conversation which appeared to him to have criminal tendencies. At seventeen he had been a district organizer of the Junior Anti-Sex League. At nineteen he had designed a hand-grenade which had been adopted by the Ministry of Peace and which, at its first trial, had killed thirty-one Eurasian prisoners in one burst. (Nineteen Eighty-Four, Part 1, ch. 4)

Orwell’s satire was based on an unpleasant reality: as the technology to enhance life advances, so does the technology to destroy it. War is a serious business and this is a book for people who are serious about war and its weaponry.

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Trench by Stephen BullTrench: A History of Trench Warfare on the Western Front, Stephen Bull (Osprey Publishing 2010)

This is a detailed history of trench warfare in World War One, from the early days of improvisation and error to the later sophistication of flame-throwers, phosgene and tanks. One thing that stayed constant was slaughter: the war involved hundreds of highly intelligent men devising ever better ways of mincing, mashing and maiming bodies and minds. Hundreds of thousands of men in the trenches then put those ideas into operation:

The infantry battalion soon included grenades of many types, new machine guns and snipers, catapults and light mortars. The Engineers adopted gas, flame and other examples of frightfulness. … For some this was the start of a new age, when, as Ernst Jünger put it, “the spirit of the machine” took possession of the battlefield and new leaders were born. (Conclusion, pg. 255)

But artillery was the biggest killer, responsible for “two-thirds of all deaths and injuries on the Western Front”, Stephen Bull concludes in chapter one, which examines “The Armies of 1914 and the Problem of Attack”. That problem arose from an important and overlooked point he makes in the introduction: “trenches were designed to, and did, save lives” (pg. 8). Wars are won more by ending lives, not saving them, so each side sought to overcome the protection offered by trenches to the other side. Gas was one solution; tunnelling to lay explosives was another. And the tank was, in a way, a mobile trench. It wasn’t decisive in this war, but it was indirectly responsible for one of the war’s most memorable photographs: New Zealand troops “holding a German ‘T-Gewehr’ anti-tank rifle” in a “captured German emplacement near Grévillers, 25 August 1918” (ch. 9, “The Tank”, pg. 215).

New Zealanders with T-Gewehr anti-tank rifle

New Zealanders with T-Gewehr anti-tank rifle


The grins and the gun are included here with many other photos and illustrations: churned mud, stagnant pools and tree-stumps (pg. 99); a “male Mark IV tank ‘Hyacinth’” stuck in a ditch (pg. 201); a “German NCO and his Soldatenkunst [trench-art]” on brass shell cases (pg. 88); laughing British troops wearing captured German helmets (pp. 146-7); a “louse hunt” conducted by “Württembergers of the 123rd Grenadier Regiment ‘König Karl’” (pg. 189); a “bullet-riddled steel loophole plate” (pg. 155); a canvas-and-steel “dummy tree” used for artillery observation (pg. 198); and gas-masks for horses and dogs and a “gas-proof pigeon box incorporating air filters” (pg. 137). Bull discusses the Western Front from all three perspectives – Anglophone, Francophone, Teutophone – and describes how the three groups both fought and thought in distinct ways:

Interestingly many pictures of German soldiers in the latrines exist, whilst British sensibilities make this subject something of a rarity. George Coppard of the Machine Gun Corps – no stranger to hardship or death – professed himself shocked by such exhibitions. (ch. 1, “Trenchtown”, pp. 76-7)

The three groups looked distinct too: the faces and expressions differ both between the big nations and within them. But one photo could be of any nationality and from almost any war of the past hundred years: “Snipers of the US 168th Infantry” wearing camouflage hoods and garments “in May 1918” (pg. 163). They look both anonymous and ominous and though the photo is black-and-white, it might have been taken in the Second World War or in Iraq or Afghanistan in the twenty-first century. What happened in the First World War carries on now and learning about any war tells you something about all wars. But trench-warfare will probably never return on this scale and if you want to understand what it was like, this is a good guide.

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